create an image of the royal estate, 2 floors, with turrets, kokoshniks, scarlet flowers and firebirds on the tiles, carved columns, many colored murals on the facade, built in the style of Russian folk tales from round logs, with turrets, wide side extensions and arches; colors: many golden murals, white, red, with blue accents; fabulous style, bright colors, glossy gold patterns, carved shutters with three-dimensional patterns, many carved elements and patterns in the folk Russian style, reminiscent of the Summer Palace of Tsar Alexei Mikhailovich in the Kolomenskoye Museum Reserve, in the background — a winter fairy forest with snowdrifts; 3D illustration, "Draw the house strictly full-face, without turns, so that the facade is fully visible, without a side corner." “Generate an image of the house facing forward, with the front facing the camera. Do not allow any tilt or angle.” “Draw the house frontally. Avoid three‑quarter or profile angles. “Focus on the facade: the entire house, without any rotations. Emphasize the symmetry and the frontal plane. • Projection: there must be a clear frontal (orthogonal) projection.” It completely lacks perspective projections: the vertical logs extend strictly upward, while the horizontal lines of the cornices and floor extend strictly to the left and right, without the slightest tilt toward the vanishing point. The building looks absolutely flat, like an architectural design drawing or an ideal theatrical backdrop. • Symmetry: the left and right sides of the tower are mirror images of each other relative to the central axis. The central tower, the porch, and the roof ridge are aligned on the same straight line. • Composition (wide format): the image is panoramic. The entire facade is visible from the edge of the left wing to the edge of the right one. The low horizon line allows the building to be shown in its full two‑story height with towers, without cutting off the roof. • Facade details: • Walls: massive crowns made of round white logs. • Decor: a continuous carpet of glossy gold painting on a white background, carved red window surrounds depicting fire‑birds and scarlet flowers. • Shutters: the three‑dimensional carving rises above the wall surface, creating a complex interplay of light and shadow even under frontal lighting. • Background: the winter forest is located far behind the house. Due to the lack of perspective, it seems as if the trees are glued to the background; they do not obscure the corners of the building and do not distort the perception of its strict geometry. Snowdrifts lie on the flat white field.
