create a drawing of the Tower, the royal estate, 2 floors, with towers, kokoshniks, scarlet flowers and firebirds on porcelain tiles, carved columns, a lot of colored paintings on the facade, built in the Russian folk tale style of round logs, with turrets, with wide side extensions, and arches; colors: a lot of gold paintings, white, red, with blue accents; fabulous style, bright colors, glossy gold patterns, carved shutters with voluminous patterns, a lot of carvings and patterns in the folk Russian style, similar to the Summer Palace of Tsar Alexei Mikhailovich in the Kolomenskoye Museum Reserve, in the background is a winter fairy forest with snowdrifts; 3d illustration, "Draw the house strictly full-face, without turns, so that the facade is fully visible, without a side angle." "Generate a full-face image of the house facing the camera. Do not allow a tilt or a slanted view." "Draw the house frontally. Avoid three-quarter or profile angles. "Focus on the facade: the whole house, without turning. Emphasize the symmetry and the frontal plane. • Projection: it should be a clean frontal (orthogonal) projection. It completely lacks perspective projections: the vertical logs extend strictly upward, and the horizontal lines of the cornices and floor extend strictly to the left and right, without the slightest tilt toward the vanishing point. The building looks absolutely flat, like a blueprint of an architectural drawing or an ideal theatrical backdrop. • Symmetry: the left and right sides of the tower are mirror images of each other relative to the central axis. The central tower, porch, and roof ridge are aligned in a straight line. • Composition (wide format): the image is panoramic. The entire facade is visible from the edge of the left side wing to the edge of the right. The low horizon line allows you to show the building in its full two-story height with towers without cutting off the roof. • Facade details: • Walls: massive crowns of round white logs. • Decor: a solid carpet of glossy gold painting on a white background, red carved architraves, painted firebirds and scarlet flowers. • Shutters: the three‑dimensional carving protrudes above the wall surface, creating a complex interplay of light and shadow even in frontal light.. • Background: a winter forest is located far behind the house. Due to the lack of perspective, the trees appear to be pasted onto the background; they do not obscure the corners of the building and do not distort the perception of its strict geometry. The snowdrifts lie in an even, white field.
