Hyperrealistic cinematic shot: interior of an ancient tomb, low stone vaults. Angle – slightly from the side and below (approximately 25–30° from the floor), so that the sarcophagus occupies the central place in the frame and is fully visible: the front side, part of the side, and the lid are visible – without perspective "flattening". Depth of field is built along axes: in the foreground – extinguished copper lamps; in the center – a long massive closed sarcophagus in the Palekh style, with a painting of Koschei the Immortal, copper overlays, inserts of amber and obsidian; in the background – a wall with a large fresco. Walls in the Palekh style: black lacquer background, clear gold contours, bright accents of cinnabar, emerald, lapis lazuli. The fresco with Koschei – large, but not overlapping the sarcophagus: located higher and slightly shifted, so as not to compete for attention. Around Koschei – birds in the style of Bilibin and Vasnetsov: a phoenix with a clear multi-layered tail (each feather is a clear flame shape, bordered with gold, without blurring); three ravens in dense diagonal flight (compact bodies, matte black plumage with noticeable individual feathers, clean wedge-shaped tails, sharp eyes and beaks); on the borders – stylized hawks and songbirds, all with clear outlines. Lighting: a cold beam from the top right emphasizes the edges of the sarcophagus, gold and feathers; a warm amber glow from behind softly illuminates the phoenix and highlights its tail; deep shadows preserve the black Palekh background and make the silhouettes of the birds maximally contrasting. High macro detail, sharp outlines, no text. Atmosphere – ancient, solemn, mystical.
